Iago does all this not for any good reason, but for love of evil. Each thing Iago says is cause for worry. Senator Brabantio has invited him to his home, and this is a revelation to the soldier.
Chaos is the old concept of Hell, where everything is dreadful anguish, and Desdemona is the angel who has rescued Othello with her love. We see him first in Act II, as he recounts the status of the war and awaits the Venetian ships. On the field of battle Othello is skilled and triumphant; in the drawing room he is reluctant until Desdemona takes the lead and encourages him to tell his life story.
Although the clown appears only in two short scenes, his appearances reflect and distort the action and words of the main plots: Othello stands his ground, but the party turns out to be Cassio and officers from the Venetian court.
Othello feels that his marriage is at the pinnacle of his life: Truly devoted to Othello, Cassio is extremely ashamed after being implicated in a drunken brawl on Cyprus and losing his place as lieutenant. Hearing that the duke has summoned Othello to the court, Brabanzio decides to bring his cause before the duke himself.
Iago finds it easy to drive Othello to jealousy and think that Desdemona loves another man because he already feels that her love for him is too good to be true. He cares for no one, yet he devotes his whole life to revenge rather than walk away in disdain. Under pressure, he makes an inspiring speech.
Read an in-depth analysis of Desdemona. Othello is aware of the precarious nature of success and happiness.
When the colony of Cyprus is threatened by the enemy, the Duke and Senate turn to "valiant" Othello to lead the defense. Read an in-depth analysis of Iago. After many years on campaign, Othello has come to live in Venice, among the sophisticated people of the city.
In his final speeches, Othello brings again a flash of his former greatness: As a friend of Othello, Brabanzio feels betrayed when the general marries his daughter in secret.
These are the words of a man who knows chaos and believes himself to have been rescued from it by love. As Iago departs, Brabanzio comes out of his house, furious that his daughter has left him.
He claims a reputation for honesty and plain speaking, yet he invents elaborate lies in order to exploit and manipulate other people. The rich Roderigo has been paying Iago to help him in his suit to Desdemona, but he has seen no progress, and he has just learned that Desdemona has married Othello, a general whom Iago serves as ensign.
The life of early separation from home and family, followed by danger and adventure, is perhaps the life story of thousands of men down the ages who become soldiers of fortune and who end up as corpses in ditches at an early age, unwept, unpaid, and unrecorded.
Iago is twenty-eight years old.
White is honor, black is wickedness; white is innocence, black is guilt. As he waits for an opportunity to further his own self-interest, Iago only pretends to serve Othello. Iago reassures Roderigo that he hates Othello. Possibly Iago was always a villain and confidence trickster who set up a false reputation for honesty, but how can one set up a reputation for honesty except by being consistently honest over a long period of time?
Once Brabanzio has been roused, Iago also tells Roderigo where he can meet Othello.
However, once he makes a decision, he is again the military man, decisive in action. Iago is the opposite of God, that is, he is the Devil. He is quite or nearly indifferent to his own fate as to that of others; he runs all risks for a trifling and doubtful advantage, and is himself the dupe and victim of ruling passion — an insatiable craving after action of the most difficult and dangerous kind.
He has grown up in exile, slavery, danger, and despair, now, as a professional soldier, he lives amongst chaos on the battlefield, but he need no longer have it in his inner being, because he has love.Analysis: Act I, scenes i–ii The action of the first scene heightens the audience’s anticipation of Othello’s first appearance.
We learn Iago’s name in the second line of the play and Roderigo’s soon afterward, but Othello is not once mentioned by his name.
Othello study guide contains a biography of William Shakespeare, literature essays, a complete e-text, quiz questions, major themes, characters, and a. Othello and others in the play constantly refer to him as "honest Iago." He has risen through the ranks in the army by merit and achievement, and Othello, whose military judgment is excellent, has taken him as ancient (captain) because of his qualities.
Othello - The play’s protagonist and hero. A Christian Moor and general of the armies of Venice, Othello is an eloquent and physically powerful figure, respected by all those around him.
In spite of his elevated status, he is nevertheless easy prey to insecurities because of his age, his life as a. OTHELLO THE MOOR OF VENICE William Shakespeare WITH RELATED READINGS THE EMC MASTERPIECE SERIES Access Editions EMC/Paradigm Publishing St.
Paul, Minnesota Othello ultimedescente.com 1/14/05 AM Page i. othello - Plot and Character Analysis of Shakespeare's Othello - The Character of Iago in Othello In the play Othello, the character Iago plays a paramount role in the destruction of Othello and all of those around him.
And William Shakespeare had one of one hundred stories written by Giraldi Cinthio to help him create his masterpiece.Download